Gillian Welch at the Wilbur Theatre

Posted by on January 7, 2012 1 comment

December 13, 2011. Boston, MA – I finally got to see and hear Gillian Welch and David Rawlings on their last concert of the tour. This was previously scheduled for Oct. 27 but got rescheduled due to a bout of laryngitis. It was certainly worth the wait, and as Gillian said during the concert, “It gave us a chance to fix a few things…” including a crack in her guitar (Gibson J-50, which you can see in the Fall 2011 issue of Fretboard Journal with Welch on the cover, showing the guitar with tape on it.) and a banjo repair. They seemed very relaxed and Rawlings family had come in from RI and were sitting right in front of us, adding to the familiarity. They are pretty funny in the banter dept. too.

The pair were in fine form on this second night of two at the Wilbur Theatre, which is a great venue for them. We were in the mezzanine about 5 rows up and the sound and sight-lines were excellent. This was a “standing room on the floor” gig, which I think is a stupid way to enjoy a concert, but whatever…we had seats. Much better than the House of Blues when we saw Dave Rawlings Machine with Old Crow Medicine show and others, where the seats are too far back and the crowd was too noisy during the Rawlings/Welch set.

picture of gillian welch on stage for encore

The stage setting is very sparse, with only mikes on stage for the 2 guitars and 2 vocalists – no plugging in here, and they have the luxury of getting the sound just right with the microphones. The other notable stage prop is “The Box” which sits between them and contains everything they might need on stage, from strings to picks to harmonicas. The other noteworthy item was they had to stand on a rubber mat so they wouldn’t get shocked by the microphones!

The music itself is just what I expected, and more. Welch typically will crouch down away from the mics and start getting into the right groove before beginning the song. It was a real lesson in focus and intimacy. While Welch holds down the rhythm, Rawlings weaves his magic in and around the vocals. Their voices blend so well, it is sometimes hard to tell who is singing without looking at them. They started with Scarlett Town, off of the new album, “The Harrow and the Harvest”. This gives plenty of room for both of them and got us ready for what was to come.

Highlights for me were Scarlett Town (a great song, strong start), Make Me a Palette, 6 White Horses (with the dance – “I usually do this in private only…”), I Hear Them Alland the encores were just perfect, I’ll Fly Away with the audience singing along and ending with White Rabbit. I think they worked in all of the tunes from the new album and they sound like timeless classics, well-integrated with the older songs.

Gillian posted the handwritten set list to her twitter feed (@gillianwelch, but not much tweeting there). The concert started at 8:20 (I think they were late getting dinner at Legal!). The first set ended at 9:10. After a 20 min break, the second set was from 9:30-10:15 with the encores extending the show to 10:50.

Gillian Set List

Here it is in text form…and more accurate, in my opinion.

  1. Scarlett Town
  2. Make me a Pallete on the floor – ref. Doc Watson
  3. Rock of ages
  4. The Way It Will Be
  5. Annabelle
  6. I Want to Sing that Rock and Roll
  7. That’s the Way it Goes
  8. Silver Dagger
  9. Red Clay

Second set:

  1. Hard Times
  2. Down Along The Dixie Line
  3. Elvis Presley Blues
  4. Ms Ohio – ‘she wants to do right, but not right now’ << classic line.
  5. 6 White Horses – with G doin a dance and Dave on banjo
  6. I Hear Them All/This Land medley – led by Dave
  7. My Wrecking Ball
  8. Caleb Meyer

Encore

  1. Tennessee
  2. I’ll Fly Away – audience sing-a-long!
  3. Time the Revelator
  4. The Way the Whole Thing Ends
  5. White Rabbit – turn up the reverb!

Other reviews worth reading: Jambands (includes good pic).

Now, go buy the new album so they’ll make another one before 8 years passes by.

Your intrepid concert-goer,

Chris

Carrie Rodriguez at Passim

Posted by on January 1, 2012 Comments Off on Carrie Rodriguez at Passim

Carrie Rodriguez - FiddleJune 14, 2011, Cambridge, MA – Catching up on my concert reviews for 2011. I really should do this right after the event happens….I have been listening to Carrie Rodriquez for a few years now and love her. She’s another one from Austin and is known for her fiddle playing as well as singing and songwriting. I recently saw her perform on The Colbert Report with Jeff Bridges – I’m guessing I was one of the few who actually recognized her.

As you can see from the picture I took, I got a table in the front row at Club Passim, aka my favorite music room. She only had one other musician on this gig (whose name escapes me, sorry) who switched among pedal steel, electric, and acoustic guitars. Carrie herself moved from fiddle to mandobird to tenor guitar. She can really play and her  style moves from down-home country fiddlin’ to indie singer-songwriter.

The set included new songs from her latest album (which I just bought on Amazon for only $4.99!) as well as some of hits from her past albums, like She Ain’t Me and Seven Angels on a Bicycle. I didn’t realize that the latter song was about a friend who had passed away and this story added some extra poignancy to the piece during the show.

She seems to be constantly touring, so next time she’s in your town, go see her and support live music – that’s how they make their money, people! I think the only disappointing part of the night was that the club was not completely full, perhaps due to the Tuesday night slot.

The Set List:

  1. Keep your Words
  2. Big Love
  3. I Don’t Want to Play House Anymore
  4. 50’s French
  5. Absence
  6. Got Your Name On It
  7. Lake Harriet
  8. Waterbound
  9. She Ain’t Me
  10. Seven Angels on a Bicycle
  11. I am Not a Farmer -> Blackberry
  12. When I Heard Gypsy Davy Sing
  13. El Salvador
  14. Today I Started Loving You
  15. Never Gonna Be Your Bride
  16. La Punalada Trapera
  17. Encores – I’m So Lonesome I Could Cry; Say Darlin’ Say

The traditional picture of the setlist.

Carrie R. Set List

Gary Burton Quartet at Berklee

Posted by on December 31, 2011 Comments Off on Gary Burton Quartet at Berklee

September 25, 2011 – As soon as I heard that Gary Burton was playing at Berklee with his “new

Poster from concert

quartet”, I knew I had to go. I had seen Julian Lage at Passim with his band and was looking forward to hearing him in this setting as well. Plus the band includes Antonio Sanchez, drums (also plays with Metheny) and Scott Colley, bass (also with Metheny). The story goes that Burton lined up his drummer first and then asked him to choose the best bass player to go along with them and he immediately said, Colley.

In addition, Gary Burton was one of my earliest introductions to jazz, having heard him in 1977 at an Arcosanti festival in Cordes Junction, AZ. I know I have the program book from that festival, but cannot locate it in all the usual places I’ve squirreled away mementos. 🙁

Back to the concert…

Since this was at Berklee, everyone seemed very comfortable on that stage, probably from having played many concerts there over the years as faculty and students. Gary did most of the talking, of course, as the leader. I like that he actually talked to the audience and explained some of their tune choices(Light Blue: “musicians can play these Monk tunes over and over”) and it’s background (Afro Blue: “the first tune written for the new latin jazz genre”).  Here’s the entire set list:

  1. Afro Blue
  2. Never the Same Way (Colley)
  3. I Hear a Rhapsody
  4. Last to Know
  5. Etude (Lage)
  6. Light Blue (Monk)
  7. Common Ground
  8. My Funny Valentine
  9. Did You Get It?

They started with a quiet introduction to Afro Blue by Burton alone, before getting into the melody (doubled by Lage) and solos. Burton is certainly a master of rhythm and melodic improvisation and his bandmates kept up, supporting him throughout the ebbs and flows of a solo. I love how the really great improvisers (and the bands, in general) can move through a song from very quiet and mellow to building up intensity to a crescendo and then transition to the next phase of the tune. That is definitely a sign of both great musicianship and communication among the band members.

Never the Same Way, from the group’s album Common Ground, begins with a bass ostinato introduction before moving to the next section of the melody, a rhythmic vibes melody on top of a blues-y chord progression. This is an extended composition with plenty of room for solos and was actually the longest selection in the concert at over 12 minutes.

“I Hear a Rhapsody”, another standard tune, was a pretty straightforward rendering with solos by Burton, Lage, Sanchez, and Colley. It’s always good to throw in something familiar to keep the audience on your side, so you can expand their range elsewhere in the concert. Burton told a story about how Michael Brecker hated playing at Berklee because of all the musicians likely to be in the audience, Gary says, “but I don’t care…”.

Etude was written by Julian Lage as an exercise for his students (“I feel sorry for his students”, said Burton.), and you can find him playing it on youtube here. Burton said, “When I recorded this on the record, I promised myself I’d never play it again!” and “We started playing this live last week and I think I played it right the third time.” Yes, he even had a very long and wide score in front of him to read thru, which cracked the audience up as he unfolded it on the stands. It was kinda funny watching him shift the paper along as the song progressed. Of course, then they proceeded to play it in unison perfectly. The guitar and vibes have a nice blend to them, both being percussive in attack and in the same range.

Light Blue is an obscure Thelonius Monk tune that had the typical twists and turns of a Monk tune. “He wrote these short, simple, quirky songs that just stick with you.” Apparently he only ever played it once in a concert at Town Hall. I was searching through my iTunes library and turned up a version of Bill Frisell playing it in a live recording I downloaded from ‘who knows where’. I think people like playing these tunes because the melodies are so strong they force you into playing to the strengths of the melody when you solo.

My Funny Valentine opened with an extended intro by Lage, solo. This went on for 6 whole minutes of guitar brilliance, not having too much to do with My Funny Valentine. 🙂 However, the ideas seemed to be endless! There were many different variations on a theme, ranging from folk music to classical until he finally hinted at the real tune the last time through, then passed it off to Burton to state the melody, more or less, with the band backing him.

The encore was “Did You Get It” which is on the Common Ground album. This was a fitting end to the concert and gave everyone a chance to stretch out on their solos. I went home and immediately bought the album. Highly recommended.

Chris

The Splinters Music at Nourish

Posted by on November 27, 2011 Comments Off on The Splinters Music at Nourish

J Johnson and I did a mini-set at Nourish Open Mike run by Ellen Schmidt. That means instead of the usual one song per act we got to do three songs before the feature act. We started with the fast fiddle tune, June Apple, then slowed it down a bit with Ook Pik Waltz, and ended up with the crowd-pleasing (we hope) Cluck Old Hen. These three songs pretty much sums up what we’re about.

I used my little Canon Elf camera to record it and it came out pretty good, except for the annoying glare from the mirror. Maybe I’ll get the official video from the soundman instead. I’m going to try to replace the audio on these videos with the one from the sound board – we’ll see how that goes in iMovie. 🙂

Enjoy. Here’s June Apple, a traditional fiddle tune in A.

Ook Pik Waltz, by Frankie Rodgers.

Cluck Old Hen, traditional old time song.

Chris

 

Stauffer Style Antique Guitar

Posted by on November 10, 2011 Comments Off on Stauffer Style Antique Guitar

I recently picked up this funky little guitar. I put some new strings on it (D’Addario Nylon Folk). Below are some pictures and a brief rendition of Freight Train – sorta – so you can get an idea of how it sounds. It is surprisingly loud for such a little guy. Of course, when it was built some 100 years ago, it was probably used for classical music, but I need to practice that before unleashing a recording. 🙂 The neck is a lot narrower than my other guitars, so fitting my hands on it was my biggest challenge. The strings are fine to play up to around the 5th fret before they get pretty high.

The guitar has maple back and sides and a spruce top. You can see some of the cracks in the top, but they look to have been glued up a while ago. I couldn’t find any markings on the guitar even with a mirror looking around inside.

Stauffer style guitar

Showing the neck

Here’s the recording I made to give you an idea what it sounds like: Freight Train. I didn’t use any effects, just a couple of mikes about 2 feet away recorded to my Xoom H4N digital recorder.

Chris

Hot Club of Cowtown at Club Passim

Posted by on October 27, 2011 Comments Off on Hot Club of Cowtown at Club Passim

Went to see Hot Club of Cowtown again on Oct 4, 2011, this time at Club Passim. We first saw them at the Lowell Folk Festival in 2010 on a hot, sweaty summer day and jumped on the chance to see them again in this setting. Club Passim is a great venue for music – the sound is almost always really good and people are there to listen. I think it might be my favorite place in the Boston area to hear live music.

This band is both tight and loose. Tight in that they are locked in synch on the music; loose in that they don’t seem wedded to a particular arrangement or set list. They seem to move freely from improvised sections and even have short discussions on what to play next, probably depending on the audience mood (and their own moods, of course). I feel a little odd taking pictures at this place because it is sooo obvious, so I didn’t get any good ones, except of the set list below….this keeps me from trying to write down every tune as the concert goes on. 🙂

Set List

If you are not familiar with them, there’s always youtube! They are very engaging performers and you should definitely check them out! They easily move from classic western swing (Sweet Jenny Lee?) to fiddle tune breakdowns (Orange Blossom Special!) to jazz swing (Limehouse Blues). Everyone gets a solo turn and they mix it up between the ballads (Someone to Watch over Me) and burning down the house instrumentals (Acorn Hill Breakdown). They really look like they are having fun on stage; and what’s not to like??

Another good part of Passim’s is you can talk to the performers if you want. They usually hang out by their CD stand and sign stuff or chitchat. I did have to chat up Elana, well, cuz she was just standing there outside! I think I mentioned the Lowell sweatfest and she said, “which year?” “doh!”

All for now!

Chris

 

Bob Dylan at House of Blues

Posted by on October 22, 2011 Comments Off on Bob Dylan at House of Blues

Bob Dylan Tour PosterOn August 21, 2011, the whole family, boys included, went to see Bob Dylan at the House of Blues in Boston, in the shadow of Fenway Park. I had to get tickets through stubhub for more than face value, let’s just say, because even though I had looked on ticketmaster/livenation the minute tix were available to the public, none were. I have a brief rant about that, too – Dear Livenation.com, if the concert is sold out, don’t make me search for tickets only to find out there are none left.

Anyhooooo….

The concert started at 8 and since HOB is one of those places where you have to stand, I wanted to make sure we got a decent spot when the doors opened at 7 pm. Lucas and I got dropped off early and got in line. Apparently, you could pay another $10 to get in the OTHER LINE, which meant you could go before the plebes in the real line. What a rip-off. We were about 10 people back in the line, and I already paid enough!  Money buys access, no surprise there.

One stressful part was that I had forgotten to bring the tickets with me when we got dropped off, so I was sweating bullets until Emily and Zach showed up. Once the doors opened, the process was fairly orderly and we got a standing spot about 15 people back or so. Other than the standing around part, it was all good. The crowd was a mix of old and young. They were enthusiastic, but not obnoxious. Typical of a Boston crowd, there were some folks who tried to move in on our space, but we put up a good blocking strategy, at least until the concert started. Then the short woman in back of us asked if she could move ahead so she could see and I let her.

As to the music, the band was tight and Dylan looked to be in a good mood. His singing, if you call it that, was not so good. I describe it as a Miles Davis rap. You can get an idea by watching this video from the concert that someone posted on youtube. I didn’t even know what song he was playing until the chorus! It sounded worse out front, too. The concert was well worth going to, however, but certainly the first thing you notice is how the voice had gotten worse.

Dylan Concert

The band was killer! I think the 2 guitarists each had guitar techs with them. They were constantly changing instruments. In addition to the guitars, there was a multi-instrumentalist who switched among steel guitar, fiddle, mandolin, and who knows what else. Bob himself played some electric guitar (with some mighty fine solos) as well as the ‘cheesy’ organ and harmonica.

Here’s the set list, courtesy of Harold Lepidus.

1.  Leopard-Skin Pill-Box Hat
2.  Don’t Think Twice, It’s All Right
3.  Things Have Changed
4.  Tangled Up In Blue
5.  Beyond Here Lies Nothin’
6.  Mississippi
7.  Summer Days
8.  Tryin’ To Get To Heaven
9.  High Water (For Charley Patton)
10.  Simple Twist Of Fate
11.  Highway 61 Revisited
12.  Blind Willie McTell
13.  Thunder On The Mountain
14.  Ballad Of A Thin Man

Encores
15.  Like A Rolling Stone
16.  All Along The Watchtower
17.  Blowin’ In The Wind
Here’s the Boston Globe review and an excerpt from Jonathan Perry:

“A loose and rollicking reading of “Leopard-Skin Pill-Box Hat’’ kicked things off on a promising note. In fact, for much of his 110-minute set, Dylan was an animated (for him) presence, alternating between organ and electric guitar, and playing a good amount of bleating – and bleeding-around-the-edges – harmonica. A knotty pair of expressive, satisfyingly cluttered harp solos imbued the slow simmer of “Tangled Up In Blue’’ with a disheveled fervor, while the newer “Tryin’ To Get To Heaven’’ also benefited from Dylan’s harmonica coloring a gospel-tinged groove.”

There’s a bunch of videos of the concert on youtube, all illegally shot, but who cares? Check it out and buy his music.

The last time I saw Bob Dylan (I think) was in 1976 in Fort Collins, CO from which the album “Hard Rain” was recorded. Let me tell you, it was not a good time being outside in the rain and mud. This was much better!

Chris

Boston, MA

Lowell Folk Festival 2011

Posted by on September 26, 2011 Comments Off on Lowell Folk Festival 2011

The Lowell Folk Festival was held once again in Lowell, MA on July 30, 31. We ended up going on Sunday and met J and Jennifer there. There is always, always, always something interesting going on and new music to discover. Past groups I first heard at Lowell were the likes of Hot Club of Cowtown, Sierra Hull, Kekele, John Doyle and Liz Carroll, La Vent du Nord, James Hand, and a few I’ve forgotten (which is why I write these things down!)

This year there were a few groups I had already heard of that I wanted to see. It’s always hard to plan the schedule…I did hear a bunch of the groups on Saturday on WGBH radio, so some I was okay with missing.

First up was the fiddle traditions workshop with Michael Cleveland (bluegrass), the Quebe Sisters (Texas Swing), and guys from La Vent Du Nord (quebecois) and Dervish (celtic). This was really interesting because they went around and took turns playing songs in their own style. They also played together on a few common tunes that cut across the traditions.

Here’s the list I wrote down:

  • Yellow Rose Waltz
  • Sally Goodin
  • Fisher’s Hornpipe
  • Yearning
  • Flatbush Waltz
  • Sweet Georgia Brown
  • St. Anne’s Reel (and we were at St Anne’s Church!)

You could tell the Quebe Sisters were not too comfortable playing outside their carefully arranged songs for 3 fiddles in harmony. They really could not jump in a jam – or they were too intimidated to do so. They were good at what they did, however! It was fun to hear everyone together in this setting.

After that, we went to Boardinghouse Park for the Birmingham Sunlight, a gospel group, who were sensational. Very engaging group.

Next up on the same stage was Michael Cleveland and Flamekeeper. They played some hot bluegrass, including his signature tunes – Orange Blossom Special (“a guitar player killer”) and Jerusalem Ridge by Bill Monroe (J and I are tackling that one next…). He did that one as a duet with the mandolin player. I’d seen him do it like that at the Joe Val Festival earlier in the year – very exciting and fast.

As you can see, we were right up close, which is usually not possible at Boardinghouse Park. Maybe it was because we usually go on Saturday but this time was on Sunday = less people there = more space for us! Yay!

This band is really tight and I immediately went home to pick up their new album, called “Fired Up!” but pronounced “Fahrd up” of course. The guitar player does most of the singing and is a fine singer, indeed. They also seemed very humble and genuine, even thanking their festival handler and playing a song dedicated to her. Sounds like they treat the artists right at this one.

After this set, we wandered over to the dance tent to check out the zydeco, but no one was really into dancing anyway, so we moved on to Eddie Pennington (and his son). I’d seen him before at Lowell and since I’ve been known to do a little finger-pickin’ this appealed to me. (Plus, it turns out his guitar is a rare Henderson!) He seemed to be tired to me and kinda mailing it in. Just my impression…that was at the small Market Stage, then we moved on to the Kennedy Plaza for some Quebecois!

Le Vent du Nord was next. I saw them last year and really enjoyed it. It’s a fun group, and they were even on the opening of Prairie Home Companion last weekend!! JFK Plaza is an awful place, similar to Boston City Hall Plaza, only smaller. All concrete and sun! Anyway, lots of people were dancing and they were joined at the end by the Irish band Dervish for some numbers, which was fun. And yes, it was hot, too, at the end of a long weekend of music.

Until next year at Lowell….
Yours truly,
Chris

Splinters at IBM Centennial Celebration

Posted by on June 19, 2011 Comments Off on Splinters at IBM Centennial Celebration

As previously tweeted and facebooked, J and I played at the IBM Centennial Celebration at the Museum of Science. Both of us being IBMers made it convenient, for sure. The event was an “IBM’s Got Talent” show with about 10 acts, ranging from rock and bluegrass to show tunes and dance numbers. I especially enjoyed the Indian dances – one traditional and one Bollywood style. (Somehow I ended up without a program, so I don’t have all the details!)

Each performer had 4 minutes to get it done. This required quite a bit of editing on everyone’s part. That was a common comment backstage, for sure. For our part, we decided to string together 2 fiddle tunes: Salt  Creek followed by Whiskey Before Breakfast. We did the math and as long as the tempo was right, we’d be about 4:15. 🙂 I guess it makes you focus and get to the point to have a time constraint.

We were fourth on the program, which was good – right after the solo singer doing “Memories” from Cats. After us was one of the Indian dances. The venue was the Cahners Theatre, which holds about 300 people. It was standing room only in there, maybe because there was no alcohol served at the party! Anyway, in addition, they also simulcast the show to screens throughout the museum.

Bottom line: we had fun and we nailed the transition to our satisfaction. One of J’s colleagues took a video on his iphone and posted it to Vimeo.


The Splinters at the Boston IBM Centennial Celebration from Paul Beaulieu on Vimeo.

Chris

Lucas got a camera

Posted by on June 19, 2011 Comments Off on Lucas got a camera

It looks like Lucas got a camera in Jerusalem yesterday. Photos are starting to appear on Facebook, including this one, that I screen captured. He’ll probably be adding some to his own blog later to help tell the story. This looks like it’s at the Temple on the Mount.

There were a bunch more pics on Facebook. I’m sure we’ll hear more. The blog is quite entertaining.
Chris

(HA! Lyle Lovett’s “Penguins are so sensitive…” is now playing on iTunes! LR is a fan, in case you didn’t know…of penguins, that is.)