Tag Archives: mccoury

Grey Fox 2013

The Grey Fox Bluegrass Festival was on July 17 – 21 this year. This was my second trip there…last year I didn’t post a review until November, which meant I didn’t do a very thorough job of it. This year, the festival occurred during the middle of our Maine vacation, so I got to come back to the beach and relax another week. I headed out on Wednesday, stopping by at the house in Brookline to pick up the camping gear, etc. It was 101 in my driveway, according to the car temperature. And it didn’t get any warmer in Oak Hill, NY either. More on that later.

This was my bluegrass pickin’ summer camp for adults (although lots of kids attend, too). Fortunately, I had run into Mike O’Brien at work a week earlier and he offered to save me a spot at their campsite. I think there were about 30 people there from the 3 O’Brien families plus friends, so what’s one more?? It was certainly a big family atmosphere, reminding me of my youth with my cousins, but with music! I felt welcomed right in to the crowd and sweated through setting up my tent while everyone was waiting for the O’Cousins to do their Open Mike set in the dance tent (officially the Catskill Stage, but no one calls it that).

Here’s the campsite:

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The jams happened under the white tent with some spillover to the blue one. 🙂 Thankfully we were along the east side of the farm near the woods, so we were somewhat protected from the sun and heat in the morning, until about 10 anyway. However, on Thursday morning we were jamming (and since I was just learning mandolin, I was using that) and I forgot that my guitar was in the tent until it was too late. It was burning hot in the case and this caused the glue to loosen on the bridge and start to pull up! Aaaargh. I loosened the strings and opened the case to let it cool down under the tent before playing it again later that night.

Every morning started with coffee and a jam session. Someone would just start playing and then others slowly but surely joined in. A most excellent way to start the day. Usually this went on until noon or so. I almost lost a hand playing mandolin, trying to keep up with Joe while he played Roll in My Sweet Baby’s Arms.

It was so hot (95 + humidity) that I didn’t really feel like eating anything either, much less walking to the concert stages. Certainly going to the big stage (which is mostly in the sun, although there are some shade awnings up) was not going to be in the cards. I think I lost 2 lbs. every time I went into the porta-potty, too.

Every night ended with another session under the tent. At about 10:20 pm the first night (Wed), we got told  by the authorities we were too loud since we were officially in the quiet camping area. Boo! Maybe it was the rowdy “Jambalaya”?? A fellow named Brad had drifted over to our campsite to listen and offered up his site, which was just over the line into Pickers Paradise, so we all trudged over there for a bit more hootin’. On Thursday and Friday nights we kept it quieter in our own site, which was challenging. Anyway, the dance tent was louder than us on most nights until about 1 or 2 am, so sue me! On Saturday night, we just played normally and it was fine.

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Left to right: Steve, Ellen, Dave, Judy, Mike, Rick, Flan

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Left to right: Mike, Rick, Flan, Joe, Steve, Ellen, Judy

A nice O’Brien tradition was to end the night with “Good Night, Irene”. The “Leadbelly version” I was told, which ends with “I’ll get you in my dreams.” None of that wimpy Pete Seeger stuff!! haha. On Saturday night, the O’Briens sang a song for their older brother, Don, who had passed at age 29, that was very moving.

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dave on dobro

The Concerts

There was an excellent line-up of acts, a good mix of the old guard and the up and coming bands. Here’s what I saw:

Wednesday night. The O’Cousins – O’Brien cousins Flan, Brendan, and Liam did 2 songs at the open mike. People really got into “The Weight” and we played it a few times at the camp site too. I also heard it one night when I was walking around the camp sites.

Thursday. Really too hot to do much during the day except sweat. Went up the High Meadow stage for dinner around 6 and listened to Milkdrive, the Deadly Gentlemen, sat at the charging station and listened to Devil Makes Three, then back up to the stage for Keller Williams and the Travelin’ McCourys, which I thoroughly enjoyed. Williams is quirky to say the least.

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Friday. Made it to 23 String Band at 1 pm in the dance tent. These guys were awesome! Check ’em out if they come to your area. One mike to huddle around is always good. I went for food, then came back for the end of I Draw Slow, a great Irish band playing more traditional Americana (I suppose). After that I headed over to the masters tent (a.k.a. Creekside) since it was too hot to be anywhere else. There I saw Nora Jane Struthers and up and coming band, then got a seat right in front for Milkdrive and then the Travelin’ McCourys. In the past, this tent was supposed to be for ‘workshops’ but this year it was more just another, more intimate stage. The McCoury’s were the only ones who tried to encourage questions – they got a lot of tune requests but finally someone asked a real question about Rob’s banjo, which he got from his father-in-law. He said he put 4000 hours into it. Ronnie and Rob also answered a question about their kids and their interest in music.

Rob McCoury

 

Travelin McCourys

 

I went back to the campsite after this to chill out – not that it was possible in the heat. I actually took a shower in the gravity shower they set up. Let me tell you, that water was hot, too!! I played a little guitar, which is why I also missed Della Mae on the main stage. We had just seen them at Passim’s so I wasn’t too broken up about it.

I did make it back for Del McCoury and the Infamous Stringdusters, both fabulous in different ways. Del held down the fort with some classic numbers, such as Vincent Black Lightning and Rain and Snow to close it out. (I swear Ronnie sounds more like him every year, too!!) He was bantering with the crowd and having a good ole time. The Stringdusters just tore up it from beginning to end – fast and faster was the order of the day.

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Saturday. After the usual morning jam session, I headed to lunch at caught the last part of the Lonely Heartstrings Band. They are one of the bands that Berklee seems to be churning out these days. The name comes from them covering Beatles tunes, which they did, but they also did some straight ahead bluegrass. Gabe Hirschfield on banjo is one to look out for. They did a Scruggs classic, which I can’t remember right now, which featured him. The vocals were strong, which is the only way you can get away with Beatles in bluegrass style.

It wasn’t as hot as the last 2 days, thankfully. I went back to camp for a while to rest up, then made my way back up the hill to see Tim O’Brien(m) with Bryan Sutton(g), Noam Pikelny(b), Casey Dressen(f), and Mike Bub(bs). Fairly straight foward set – I even noticed Thile checking them out in the VIP seating. Jerry Douglas hopped on stage for the last 2 numbers. After dinner, it was non-stop music.

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Up first, Thile/Daves duo began the set with their usual Monroe tune, Evening Prayer Blues. From there they went into the standard repertoire they have done on their album (Rabbit in a Log, Sophronie, Loneliness and Desperation, Sleep with One Eye Open, etc) along with a couple of tunes from Tim Sparks and one they did for a documentary, called Richmond (which tagged on Soldier’s Joy). Fiddle tune request time was Scotland (A), Whiskey Before Breakfast (D), and Big Sciota (G). You can find the video here. Brilliant as always.

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Next was the Jerry Douglas band, a.k.a. the Earls of Leceister, which does music of Flatt and Scruggs from the 50’s. Unexpected, but refreshing take on it. It seemed like a lot of people left the main stage to go see Rushad Eggleston at the dance tent. Video posted on youtube.

I had never seen the Carolina Chocolate Drops before, although I have a couple of their albums. Wow! What a show! Not only musically satisfying but also visually interesting. The crowd went crazy for them, too. Highly recommended. Here they are doing “Jackson“.

The Magnificent Late-Night Supersonic All-Stars was anchored by Tim O’Brien and included the base group of Thile, Bales, Douglas, Pikelny, Cushman, Driessen. Dom Flemmons from the Drops came back to hold down the fort on “Mama Don’t ‘low No Music Playing Round Here”. This gave every one a chance to stretch out, including him on harmonica. Thile did the Band version of Cripple Creek. Tim brought out Nora Jane Struthers to do Won’t You Sing with Me and another Hot Rize tune. I Draw Slow made an appearance for 2 songs. Courtney from Della Mae played a duet of I Am a Pilgrim with Bryan Sutton (Bryan mentioned that Tony Rice was not doing well…) Kimber Ludiker and Brittany Haas came out to lead Wheel Hoss. The highlight of the night might have been Rushad leading them on Mississippi Sawyer and I Peed on a Bird – pretty funny. Video here.

After that, we went back to the camp site for our own late night all star jam until about 3 am. Of course, the fie alarm sirens blasted everyone awake around 5 am!! By 8, it was time to pack up and leave another Grey Fox behind and return to civilization. My first stop was Starbucks on the turnpike, and I listened as I drove, to the audio I had recorded from the various sets I attended. Good stuff and kept me awake. After dumping off the camping gear at home, I headed back to Maine for the rest of the week.

Until next year…

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Chris

Check out my tumblr for more pics of Grey Fox 2013.

Peter Rowan and Tony Rice at the Wilbur Theatre

Peter RowanApril 21, 2012. Boston, MA – Peter Rowan and Tony Rice, along with the Travelin’ McCoury’s came to Boston’s Wilbur Theatre for a night of “The Music of Bill Monroe”. They played 2 sets of just under an hour, including the encore number. All of the tunes were songs written or recorded by Bill Monroe. We were sitting right in front of the stage, so had a good view of everything, although the sound was mostly behind us. Still, you could definitely here the acoustic instruments from where we were sitting. There were only a handful of mikes on stage and the members of the band moved around to get into position to play or sing. It was quite the ballet sometimes. And did I mention that Tony Rice was right in front of me!! Playing the 1935 Martin D-28 (58597) he got from Clarence White!! What a treat!

Here’s the set list:

Set 1
Long Journey Home
Bluegrass Breakdown
In the Pines
I’m Blue, I’m Lonesome
Groundspeed
Tony Rice Intro by Peter(21:30)
The First Whippoorwill
Used to Be (Uncle Jerry singing)
Uncle Pen
The Old Old House(George Jones hit)
Live and Let Live
Cheyenne (‘here that now, that’s the Indian sound’ Also where The Land of the Navajo originated, a song by Rowan)

Set 2
Blue Moon of Kentucky (in 3, then 4)
I Hear a Sweet Voice Calling
Walls of Time
Kentucky Mandolin
Beautiful Life (quartet singing, Pete and Tony accompany)
Blue Night (Jerry lead vocal)
This Land – bass/banjo duet
Molly and Tenbrooks
Footprints in the Snow (audience request – “you’re in New England, play Footprints!”)
With Body and Soul
Salt Creek
Muleskinner Blues – Encore

The concert started simply with just Peter Rowan(guitar, vocals) and Ronnie McCoury (mandolin, vocals) singing Long Journey Home before the band strolled on stage to kick it into high gear. Peter Rowan has a great voice and is still going strong from the looks of things. The rest of the band members were: Rob McCoury (banjo), Jason Carter (fiddle), and Jerry McCoury (bass). Jerry was apparently subbing for the regular bass player who had to be back home waiting for a baby delivery. This was some high caliber bluegrass!

The next song was “the first bluegrass instrumental ever recorded” with Earl Scruggs on banjo: Bluegrass Breakdown. This gave everyone a chance to blister the strings on a quick one. The band was tight! Of course, they were playing all these bluegrass standards, which they’ve probably played a million times, so even if they never rehearsed before, it’s okay! In fact, Peter noted that ‘we don’t have tuners on our instruments’ and that they also didn’t have a set list (at least one that was written down). He claimed that they never knew what Bill Monroe was going to play or what key it was going to be in – Monroe would just chop a chord and you better get goin’!

There were certainly a few tributes to Earl Scruggs, since he contributed mightily to the bluegrass sound, along with Bill Monroe. A tune written by Scruggs, Groundspeed, was led by Rob McCoury. Both Ronnie and Jason Carter had amazing solos on this with good support from the band.

Tony Rice
“The most influential guitar player in the history of bluegrass…” came on the stage after that – Tony Rice! I had never seen him play before (that I recall, anyway). I was getting goosebumps just watching him, and the guitar is legendary. Even while he was tuning up, you could hear its power. As Peter said while Tony was tuning on stage, “It doesn’t cost a thing, but I’d pay to hear that.” It took about the first set for Tony to warm up. He does not look in the peak of health, even though he’s only 60 yrs old. A couple of times you could hear him talk on stage from where we were and he sounded like Miles Davis with the croaky voice. I was surprised watching him that he actually flubbed a few notes! Others around me were speculating about arthritis – at times it looked like he was telling his fingers to do something but they were not cooperating the same way as in the past. What people may not notice immediately was that the rhythm playing added another dimension on top of what Peter was playing. There were times when he added these jazzy chords to the progression that caused everyone to smile. Over the course of the night the solos got better and better. In particular, Walls of Time and Kentucky Mandolin, Cheyenne, and Salt Creek, were highlights. It looked like the rest of the band was enjoying listening to Tony, too, almost in reverence.

Other highlights included the singing and bass playing of “Uncle Jerry” McCoury. The bass was solid throughout and he has one of those good country voices with a little bit of twang. Jason Carter on fiddle was inspirational in his playing, either as a lead or accompanying. I really enjoyed the song, Beautiful Life, which had a simple guitar accompaniment but the feature was the quartet singing around the microphone. And did I mention the awesome banjo and bass duet on This Land?

I guess there wasn’t anything I didn’t like about this concert. The sound could have been better from where we were sitting, that’s my only complaint.

Here’s Salt Creek from that night – Enjoy. Salt Creek.mp3

	

I hope they make another visit up to New England soon!

Chris